8 No. *#165221 - 22.14MB, 21 pp. 2 [3], Debussy retained fond childhood memories of the beauties of the sea, but when composing La mer he rarely visited it, spending most of his time far away from large bodies of water. Like those early critics, you won’t hear singable tunes or chord progressions that resolve and start over. 6 6 0.0/10 Today, with the sounds of French Impressionist music more familiar to our ears, La Mer is universally appreciated as the masterpiece it is. The often transparent approach to the orchestration, lightness of touch and soloistic nature of the scoring lends itself well to a reduced ensemble. [29] The Manchester Guardian thought the work an advance on Debussy's earlier work in some respects, although "the vagueness of thematic outline is carried to hitherto unheard-of lengths", and found "moments of great beauty" in the work;[30] and The Musical Times reserved judgment, but noted that the audience had been highly enthusiastic. Carolus (2009/6/23), Complete Score [5][n 2] The first of these, inspired by a short story of the same name by Camille Mauclair,[6] was abandoned in favour of a less restrictive theme, the sea from dawn to midday. Each movement has a descriptive title: 1.“De l’aube à midi sur la mer” — très lent — animez peu à peu (“From dawn to noon on the sea” — very slow — animate little by little), 2.“Jeux de vagues” — allegro (dans un rythme très souple) — animé (“Play of the Waves” — allegro (with a very versatile rhythm) — animated), 3.“Dialogue du vent et de la mer” — animé et tumultueux — cédez très légèrement (“Dialogue of the wind and the sea” — animated and tumultuous — ease up very slightly). 1903-05, rev. In 2018 the online archive of the New York Philharmonic Orchestra reported that the orchestra had played the work at 135 concert performances since 1917, under conductors including Willem Mengelberg, Arturo Toscanini, John Barbirolli, Pierre Monteux, Leonard Bernstein, Pierre Boulez and Valery Gergiev. Since then, orchestras and conductors from around the world have set it down in many studio or live concert recordings. The premiere was given on 15 October 1905 in Paris, by the Orchestre Lamoureux under the direction of Camille Chevillard. (-) - V/V/V - 1715×⇩ - Morel, Complete Score 2 (-) - V/V/V - 8701×⇩ - Ottaviano, Clarinet 1/2 (A, B♭) Luciano Berio quoted La mer in the 3rd movement of his 1968 Sinfonia;[51][n 8] John Williams used simplified versions of motifs from La mer in the score he wrote for Jaws (1975);[52] and in 2002 the Norwegian composer Biosphere loosely based his ambient album Shenzhou around looped samples of La mer. 10 But you will hear a gorgeously sensual evocation of the sea in all its variety. -  Respectively, "Beautiful mother of the Îles Sanguinaires" (a small island group in the Mediterranean); "Play of the waves", and "The wind makes the sea dance". 2 (-) - V/N/V - 685×⇩ - MP3 - Vangi, Complete Score, low resolution (50 dpi) "[9] He arranged the piece for piano four hands in 1905,[10] and in 1909 Durand published a second edition of La mer with the composer's revisions. [41] The pianist Sviatoslav Richter called La mer "A piece that I rank alongside the St Matthew Passion and the Ring cycle as one of my favourite works". -  The final key signature and ch… 10 Debussy: La Mer, Second Movement $ 1.99. 2 2 Among its early champions were composers including Giacomo Puccini and Debussy’s friend Erik Satie. 8 [4][36] Despite Debussy's scorn for the term "impressionism" applied to his or anyone else's music[37] – a matter on which he and Ravel were of the same firm opinion[38] – the term was used by some of his most devoted admirers. *#33282 - 4.66MB, 89 pp. [4] Although the detailed scheme of the work changed during its composition, Debussy decided from the outset that it was to be "three symphonic sketches" with the title La mer. 0.0/10 1908 First Perf ormance. 111, is an orchestral composition by the French composer Claude Debussy. 8 6 4 8 4 with Billy Gerlach's C trumpet. Debussy: La Mer, Second Movement quantity. (-) - V/V/V - 4210×⇩ - Ottaviano, Horn 1/2, 3/4 (F) -  Mark Starr (2011/10/18), I. Trezise writes that "for much of La Mer, Debussy spurns the more obvious devices associated with the sea, wind, and concomitant storm in favour of his own, highly individual vocabulary". [40] In 1979 The Musical Times rated La mer the composer's most important orchestral work. Category: Orchestral Excerpts-First Violin Firstly, the work is divided into three sections. 6 [11], La mer is scored for 2 flutes, piccolo, 2 oboes, cor anglais, 2 clarinets, 3 bassoons, contrabassoon, 4 horns, 3 trumpets, 2 cornets, 3 trombones, tuba, timpani, bass drum, cymbals, triangle, tam tam, glockenspiel, 2 harps and strings.[4]. (-) - V/V/V - 17229×⇩ - Kalliwoda, PDF scanned by F-Pn 8 6 4 Kalliwoda (2011/12/17), II. Piero Coppola's second recording plays for less than 21 minutes. (-) - !N/!N/!N - 2241×⇩ - Proxymedon, PDF typeset by editor While Debussy’s and Ravel’s music have often been labeled as impressionistic, both composers were firmly against this label. *#36728 - 0.55MB, 9 pp. (-) - V/V/V - 7479×⇩ - Carolus, PDF scanned by Unknown *#36720 - 1.44MB, 12, 12 pp. WETA's local history blog uncovers the people and events of the past that have helped to shape our community. He began composing the work while visiting his parents-in-law in Burgundy; by the time it was complete, he had left his wife and was living with Emma Bardac, who was pregnant with Debussy's child. Respectively, "Beautiful mother of the Îles Sanguinaires" (a small island group in the Mediterranean); "Play of the waves", and "The wind makes the sea dance". 6 [18] In The Cambridge Companion to Debussy, Mark DeVoto describes La mer as "much more complex than anything Debussy had written earlier", particularly the Nocturnes: …the phrases are more freely shaped and more smoothly blended from one to the next.

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