Inv. Nuestro Señor llevando la Cruz (media figura.) This page was last edited on 25 September 2017, at 17:17. 585-593. Catálogo Museo del Prado, 1910. s. n.. Museo Nacional del Prado, Pintura italiana del Renacimiento: guía, Museo del Prado, Aldeasa, Madrid, 1999, pp. Mason, S., Pittura 'poco meno che eterna' o 'finta di notte'. 15 n.43. 58, 62. Crowe, J.A. Sebastiano del Piombo. 71-80 [75 f.118]. Salas, Xavier de, Museo del Prado. 427-445 [436-437 f.6]. Real Museo, 1857. 109-118 [112]. Compared to the first version, the more active pose allows more varied impressions when the statue is seen from different angles, "not only activating the space around him, but also suggesting an unfolding story". 93-101 [p. 70,78,80,96, f.81 a-b, 37,53-54 ]. 67-71. Cavalcaselle, G. B, A history of painting in North Italy. Madrid. 236, n.59. ‘Christ Carrying the Cross’ was created by Sebastiano del Piombo in Mannerism (Late Renaissance) style. Michael, Sebastiano's Pietà for the Comendador Mayor, The Burlington magazine, II4, 1972, pp. 14 n.5, 2013, pp. https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse. Rábano,I. Page of Christ Carrying the Cross by SEBASTIANO DEL PIOMBO in the Web Gallery of Art, a searchable image collection and database of European painting, sculpture and architecture (200-1900) Artists: Search: Glossary: Contact: Info: SEBASTIANO DEL PIOMBO (b. Dipinti su pietra tra Roma e Venezia, ArtItalies, n.23, 2017, pp. [6] During the Baroque period a bronze floating loincloth was added. Venice, Padua, Vicenza, Verona, Ferrara, Milan, Friuli, Brescia, from the fourteenth to the sixteenth century. From Wikimedia Commons, the free media repository, Add a one-line explanation of what this file represents, date QS:P571,+1515-00-00T00:00:00Z/8,P1319,+1515-00-00T00:00:00Z/9,P1326,+1517-00-00T00:00:00Z/9. 398. Files are available under licenses specified on their description page. Drawn up from the fresh materials after recent researches in the archives of Italy; and from personal inspection of the works of art scatered ..., II, London, 1912, pp. 07.02.2008 - 02.06.2008. 5-26. Fernando de Silva, Count of Cifuentes and ambassador to Rome from 1533 to 1536, commissioned him to paint Christ carrying the Cross, which is now at the Hermitage Museum and is extraordinarily similar to the present work. Falomir, Miguel, Sebastiano e 'il gusto spagnolo', Sebastiano del Piombo 1485-1547, Federico Motta, Milán, 2008, pp. / Alto 1 pie, 6 pulg, 6 lin; ancho 1 pie, 1 pulg, 10 lin. Cárdenas, V. Garcia Guinea, J. Walter, Ph. Núm. back; Full Screen Slider; Today - Paintings. Bettagno, Alessandro, El Museo del Prado, Fonds Mercator Fundación Amigos del Museo del Prado, Madrid, 1996, pp. 103-135 [p.120,125 f.54,81 a,b,94]. (pizarra.) Roma [4]:49–55, "The first version of Michelangelo's Christ for S. Maria sopra Minerva", The Creation of the Sun, Moon and Vegetation, Study of a Kneeling Nude Girl for The Entombment, Lives of the Most Excellent Painters, Sculptors, and Architects, Restoration of the Sistine Chapel frescoes, https://en.wikipedia.org/w/index.php?title=Risen_Christ_(Michelangelo,_Santa_Maria_sopra_Minerva)&oldid=911234956, Articles containing Italian-language text, Creative Commons Attribution-ShareAlike License, This page was last edited on 17 August 2019, at 13:51. Barbieri, C., Un inedito Sebastiano del Piombo e il duca di Sessa, Venezia cinquecento, XIX, 2009, pp. 1485, Venezia, d. 1547, Roma) Christ Carrying the Cross 1535-40 Oil on slate, 157 x 118 cm Szépmûvészeti Múzeum, Budapest: The painting was executed for Giovanni Grimani, Patriarch of Aqquileia from 1546 to 1593. González Mozo, A, 'La imagen pintada' En:, In lapide depictum. Find more prominent pieces of religious painting at Wikiart.org – best visual art database. Museo Nacional del Prado, Museo del Prado. Baker-Bates, Piers, Art and ideology at Juste, Hispanic research journal, Vol. In Lapide Depictum Print artworks available in our catalogue in high quality and your preferred size and finish. 132, n.21. Mena Marqués, M.; Albarrán, V., Azúa, F. de, La belleza cautiva. Fernando de Silva, Count of Cifuentes and ambassador to Rome from 1533 to 1536, commissioned him to paint Christ carrying the Cross, which is now at the Hermitage Museum and is extraordinarily similar to the present work. All structured data from the file and property namespaces is available under the. En:, Sebastiano del Piombo 1485-1547, Federico Motta, Milán, 2008, pp. (pizarra.) Cristo portacroce. Museo Nacional del Prado. Pequeños tesoros del Museo del Prado, Museo del Prado - Obra Social ''La Caixa'', Barcelona, 2014, pp. 109-115. 228. 28.06.2008 - 28.09.2008, Sebastiano del Piombo Catálogo Museo del Prado, 1854-1858. Núm. Sebastiano del Piombo declared that the knees alone were worthy of more than the whole Rome, which William Wallace has called "one of the most curious praises ever sung about a work of art"[5] Christ is shown by Michelangelo unclothed in a standing pose. González,A. A leg is flexed and the head turned back, according to the principle of contrapposto. (497 × 640 pixels, file size: 63 KB, MIME type: https://creativecommons.org/publicdomain/mark/1.0/. 88. It is in the church of Santa Maria sopra Minerva in Rome, to the left of the main altar. 17.04.2018 - 05.08.2018, Captive Beauty. Inv. D'Achiardi, Pietro, Sebastiano del Piombo, Casa Editrice de L`Arte, 1908, pp. / Alto 1 pie, 6 pulg, 6 lin; ancho 1 pie, 1 pulg, 10 lin. English: Christ Carrying the Cross by Sebastiano del Piombo, 1515-1517, The Art Institute of Chicago ‘Christ Carrying the Cross’ was created in 1517 by Sebastiano del Piombo in High Renaissance style. 93-101 [p. 70,78,80,96, f.81 a-b, 37,53-54 ], Oratorio pequeño del Rey [...] {20695} Dos quartas de alto un tercio de ancho el Señor con la cruz = Piombo. SEBASTIANO DEL PIOMBO (b. 78. Search within the 73359 Museum website results. 124, nota 7, 135 nota 54. En:, Sebastiano del Piombo 1485-1547, Federico Motta, Milán, 2008, pp. Andrés, Gregorio de, Relación anónima del s. XVII sobre los cuadros del Escorial, Archivo español de arte, 44, 1971, pp. Sebastiano del Piombo e la Cappella Borgherini nel contesto... Mena Marqués, M.; Albarrán, V., Azúa, F. de, Museo del Prado - Obra Social ''La Caixa'', In lapide depictum. Volpe, Carlo, L'opera completa di Sebastiano del Piombo, Rizzoli, Milan, 1980, pp. 261, fg 58, 262. The first mention of it in the Prado dates from 1857. Berlín Kermes Quaderni. Castaing, J., 'Materiales y Técnicas' En:, In lapide depictum. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. The Risen Christ, Cristo della Minerva in Italian, also known as Christ the Redeemer or Christ Carrying the Cross, is a marble sculpture by the Italy High Renaissance master Michelangelo, finished in 1521. 348. The Prado´s work is less dramatic, in part because here, … Barcelona All rights reserved, The itinerary TITULORECORRIDO has been successfully created. Catálogo Museo del Prado, 1872-1907. 5 / lám. Captive Beauty. In 2000 Irene Baldriga recognized the lost first version, finished in the early seventeenth century, in the sacristy of the church of San Vincenzo Martire, at Bassano Romano near Viterbo; the black vein is clearly distinguishable on Christ's left cheek. Catálogo de las pinturas, Museo del Prado, Madrid, 1972. Sebastian del piombo (frai Sebastian Luciano, llamado) / 689. The work was commissioned in June 1514, by the Roman patrician Metello Vari, who stipulated only that the nude … Fra Angelico to Fortuny Nuestro Señor llevando la Cruz (media figura.) This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. Christ Carrying the Cross; Drawings; Biography; Prints; Quotes; Open Menu. Catálogo Museo del Prado, 1942-1996. 172. Padua 354. 28014. File:Christ Carrying the Cross by Sebastiano del Piombo, Art Institute of Chicago.jpg, Κατάλογος έργων του Ινστιτούτου Τέχνης του Σικάγου, https://commons.wikimedia.org/w/index.php?title=File:Christ_Carrying_the_Cross_by_Sebastiano_del_Piombo,_Art_Institute_of_Chicago.jpg&oldid=259762717, Italian paintings in the Art Institute of Chicago, Author died more than 100 years ago public domain images, Creative Commons Attribution-ShareAlike License. Zurbaran: las doce tribus de Israel : Jacob y sus hijos, Museo del Prado, Madrid, 1995, pp. Frimmel, Theodor, Der Anonimo Morelliano (Marcanton Michiel's Notizia D'Opere del Disegno), Viena, 1888, pp. 67-71. As part of the Royal Collection, this work was listed in the Aranjuez Palace inventory of 1818. The Prado´s work is less dramatic, in part because here, Christ is not wearing the Crown of thorns. Original file ‎(497 × 640 pixels, file size: 63 KB, MIME type: image/jpeg).

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