It was compiled in 1835 by his student Heinrich Gustav Hotho, using Hegel's own hand-written notes and notes his students took during the lectures, but Hotho's work may render some of Hegel's thought more systematic than Hegel's initial presentation. Other readers will always be interested in your opinion of the books you've read. This is a dummy description. Within its pages, the historical evolution of art is traced while also looking at modern capitalist societies and their progression. It also analyzes reviews to verify trustworthiness. December 2017 All the while, Adorno remains deeply connected to his surrounding context, offering us a window onto the artistic, intellectual and political confrontations that shaped life in post-war Germany. Aesthetic Theory was published posthumously by German philosopher Theodor Adorno in 1970. This volume of lectures on aesthetics, given by Adorno in the winter semester of 1958/59, formed the foundation for his later text Aesthetic Theory, widely regarded as one of Adorno's greatest works. That is not to say, however, that the content of his lectures are "watered down" for his listeners/readers. The lectures cover a wide range of topics, from an intense analysis of the work of Georg Lukács to a sustained reflection on the theory of aesthetic experience, from an examination of works by Plato, Kant, Hegel, Schopenhauer, Kierkegaard and Benjamin, to a discussion of the latest experiments of John Cage, attesting to the virtuosity and breadth of Adorno's engagement. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. You're listening to a sample of the Audible audio edition. This volume will appeal to a broad range of students and scholars in the humanities and social sciences, as well as anyone interested in the development of critical theory. This volume of lectures on aesthetics, given by Adorno in the winter semester of 1958–9, formed the foundation for his later Aesthetic Theory, widely regarded as one of his greatest works. Wieland Hoban (Translated by), ISBN: 978-0-745-67939-6 And because of the casual nature of Adorno's delivery, it is not difficult to read more than one lecture in a single sitting. One of these items ships sooner than the other. To get the free app, enter your mobile phone number. Eberhard Ortland (Editor), Download Product Flyer is to download PDF in new tab. Would you like to change to the United States site? With an irrepressible sense of intellectual adventure, Adorno argues with the giants of the German tradition in the philosophy of art, interprets Plato's theory of beauty in the, COVID-19 Discipline-Specific Online Teaching Resources, Peer Review & Editorial Office Management, The Editor's Role: Development & Innovation, People In Research: Interviews & Inspiration. It is a summary of nearly a decade of researched into the philosophical studies of art, sociology, politics, and metaphysics. His presentation is conversational and informal, as it is a lecture series. If possible, download the file in its original format. This volume of lectures on aesthetics, given by Adorno in the winter semester of 1958–9, formed the foundation for his later Aesthetic Theory, widely regarded as one of his greatest works. This is a dummy description. Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29. Description. This translation of Theodor W. Adorno's lectures on aesthetics is of the excellent volume published by Suhrkamp Verlag in 2009 under the editorship of Eberhard Ortland. This volume will appeal to a broad range of students and scholars in the humanities and social sciences, as well as anyone interested in the development of critical theory. "Adorno's lectures provide a fascinating glimpse into the philosophical workshop where his ideas were forged and developed, and this lecture course on aesthetics from the late 1950s is no exception. I think a decent familiarity with the history of western, white philosophy and art (e.g., Kant, German Romanticism, Hegel, Cage, Picasso, Braque) would be helpful for understanding the significance of Adorno's position—though, I do not think such is necessary to get something valuable out of these lectures. It may takes up to 1-5 minutes before you received it. The lectures cover a wide range of topics, from an intense analysis of the work of Georg Lukács to a sustained reflection on the theory of aesthetic experience which, even after 50 years and significant … The lectures cover a wide range of topics, from an intense analysis of the work of Georg Lukács to a sustained reflection on the theory of aesthetic experience, from an examination of works by Plato, Kant, Hegel, Schopenhauer, Kierkegaard and Benjamin, to a discussion of the latest experiments of John Cage, attesting to the virtuosity and breadth of Adorno's engagement. LECTURE 1The situationThe possibility of philosophical aesthetics todayThe connection between philosophy and aesthetics in KantHegel's definition of beautyAesthetic objectivityA critique of 'aesthetics from above'On the methodThe problem of aesthetic relativityThe objectivity of aesthetic judgementAesthetic logicThe irrationality of artThe work of art as an expression of naïvetéBasic research in the field of aesthetics, LECTURE 2Not a set of instructionsThe individualist prejudiceTalentResistance to aestheticsThe poles of aesthetic insight: (a) Theoretical reflection; (b) The experience of artistic practiceAgainst cultivatednessThe riddle characterA justification of the philosophy of art'Aesthetics' is equivocalNatural beauty and artistic beautyHegel's turn away from natural beautyUnresolved aspect to natural beauty, LECTURE 3The elusiveness of natural beautyThe model character of natural beautyAuraThe experiences of something objective'Mood'The mediation of natural beauty and artistic beautyThe historicity of natural beautyThe sublime in KantAesthetic experience is dialectical in itself 'Disinterested pleasure', LECTURE 4Special sphere of aesthetic semblanceThe taboo on desireSublimationDissonance'Spring's command, sweet need'MimesisImitationTransition, LECTURE 5The separation of art from the real worldPlay and semblance'The world once again'Art as 'unfolding of truth'The negation of the reality principleExpression of sufferingThe participation of art in the process of controlling natureTechniqueProgress, LECTURE 6Does art merely express what has been destroyed?Restoring the bodyStart from the most advanced artThe expressive ideal of expressionismPrincipium stilisationisConstructionThe dialectic of expression and construction, LECTURE 7Nature is historicalConstruction and formA critique of the creator roleThe aversion to expressionThe reduction of the individualFalling silent after AuschwitzThe crisis of meaningThe limits of construction, LECTURE 8The crisis of meaning (contd. Download Product Flyer is to download PDF in new tab. 376 Pages. )Giving a voice to mutilated natureExpression of alienationDefamiliarizationConsistency of constructionAleatory musicThe problem of characters, LECTURE 9The Platonic doctrine of beautyIntroduction to an interpretation of the PhaedrusEnthousiasmosBeauty as a form of madnessBeing seizedPain as a constituent of the experience of beautyNot a definitionIdeaThe subjectivity of beautyThe imitation of the idea of beautyThe aspect of danger in beauty, LECTURE 10Interpretation of the Phaedrus, contd.The paradox of beautyThe image of beautyAffinity with deathElevating oneself above the contingent world Kant's theory of the sublimeThe sensual and the spiritual in artForce field, LECTURE 11Ontology and dialectic in PlatoThe relationship between beauty and artThe aspect of uglinessThe aspect of sensual pleasureAesthetic experience'Throw away in order to gain!

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